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Our Assessment:
B : airy fluff -- but works very well for much of the novel, before trying to be too cute in the end See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
The Mystery of Henri Pick begins with the story of the Richard Brautigan-inspired "library of rejected books", the Brautigan Library, where authors can leave their rejected and never published manuscripts.
In Foenkinos' novel a French librarian, Jean-Pierre Grouvec, establishes a similar library in Crozon, in Brittany, in 1992, and for about a decade, until his death, it enjoys some success.
He even hires an assistant, Magali Croze, who eventually takes over the library and the collection of rejected manuscripts.
While readers did enjoy Pick's novel, it was above all the story behind it that moved them. It echoed the fantasy of being someone else, the unsuspected superhero, the ordinary-seeming man whose secret is that he possesses an imperceptible literary sensibility.Pick is indeed an unlikely author. His widow maintains that he didn't even read any books, much less spend time writing -- but allows that there were times when he was on his own in the pizzeria where he might have done so. Still -- as the title of the novel suggests, after all ... -- the mystery of Henri Pick and his manuscript remains a puzzling one. A once influential but now entirely washed-up literary critic, Jean-Michel Rouche, becomes obsessed with the story behind the novel, and is determined to get to the bottom of it. His investigations lead him to lose his otherwise rather understanding girlfriend, but he feels compelled to continue sniffing around. The clues he finds make up a fairly clear trail, first convincing him that Pick was not the novel's actual author -- and then leaving him quite certain of who really was behind the book. The mystery of Henri Pick, or rather of the authorship of Henri Pick's novel, is ultimately not made public. Rouche shares his explanation with Pick's widow and daughter, but agrees to keep it to himself; the others in the know (or rather, the ones who actually have all the answers) also have their reasons for keeping the truth to themselves -- though one of them is very close to dropping the bomb (but then accepts it would be too explosive). The reading-world remains none the wiser -- and happy with the story about the book and its discovery as is. The Mystery of Henri Pick is a fairly enjoyable take on publishing and the romanticized image of reading/writing, with some fun (and not too obscurely-deep) French industry insider joking. Foenkinos doesn't exactly skewer the French publishing industry -- to go with his ultra-lite style he wields the bluntest (though far from dullest) of pens --, but there's some decent sly joking going on here, and just enough clever creativity in the presentation, as with his sprinkling of footnotes. Literary failure is as much his topic as literary success, with Frédéric's frustrations with writing his next book a significant part of the story, as is Rouche's falling-out-of-favor with the literary establishment (and then his girlfriend) and his struggles to find some role. Love is central to much that happens -- especially failed love and opportunities missed, for whatever reason. It begins with Pick's novel itself -- though Foenkinos describes it only in the most general terms (including, horrifically, Pick's daughter, Joséphine, saying it: "reminded her of the Clint Eastwood film, The Bridges of Madison County" -- so it's probably better we don't know much more about the novel itself ...) -- and extends to many of the other characters figuring in the story, whose lives are touched and changed by the book and the fuss surrounding it, from librarian Magali and the temptations she suddenly faces to the husband who had dumped Joséphine suddenly reäppearing in her life to Rouche's experiences with various women along the way to his uncovering what he believes is the story behind the manuscript (and, indeed, that story itself). Foenkinos presents all this with his usual ultra-lite touch -- effective, for the most part, though there is at least one incongruously jarring moment of confrontation between Delphine and Frédéric as they argue about just how much should be revealed of the story behind the novel. For most of the novel, Foenkinos shows a deft hand: this is the airiest of fluff, but it's done very well, and enjoyable. His easy familiarity with the publishing industry and all its facets -- especially publicity -- allows for an often amusing look at the making of a bestseller, with some astute spins on the whole thing, including the various foreign reactions, including how: In the United States, the novel would come out under the title The Unwanted Book: a surprising choice, since it referred more to the story of the book's publication than the text itself, but tangible proof that our era was edging towards a complete domination of form over substance.The novel shifts around between several circles of characters, including around the library in Crozon, around Delphine and her job (complete with her frustrated writer-boyfriend), and then around Rouche and his investigations. Most of these, and the various side stories, are quite well presented, and through the actual publication and initial success of Pick's novel The Mystery of Henri Pick is really quite good. It's lite entertainment, oh so lite, but Foenkinos shapes his fluff quite expertly, and with just the right amount of sly humor. But then Rouche starts sniffing around, and learns a lot more about some of those behind the whole situation, and the novel veers sharply towards the sappy. Here, the novel isn't quite so good any longer; sappy is hard to pull off and though reasonably skillful Foenkinos wobbles some here; suddenly the comparison to The Bridges of Madison County feels all too close to the mark ..... Semi-admirably, then, Foenkinos doesn't quite leave it there, offering one more would-be clever twist. It's clever enough, but also too cute for its and the novel's good -- a neat resolution that feels all too neat. With a bit more foundation along the way Foenkinos might have been able to pull it off; as is, it just feels too artificial and forced -- most fatally, not in keeping with the clever tone and approach he'd managed for so much of the earlier parts of the novel. The Mystery of Henri Pick is fine enough light entertainment -- but, for a while, felt like it could have been something more, and then just falls short with its too neat endings. - M.A.Orthofer, 26 July 2020 - Return to top of the page - The Mystery of Henri Pick:
- Return to top of the page - Bestselling French author David Foenkinos was born in 1974. - Return to top of the page -
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