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Our Assessment:
B+ : fine, unsettling portrait of an overwhelmed man See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
The Tyrant centers on Jean Calmet, a teacher of classics and literature at the local Gymnase who is in his late thirties, but it is his father that is the dominant figure in the novel.
The four-part novel opens as the last arrangements for the just deceased pater familias are being made.
Rather than any release coming from his father's death, Jean finds himself haunted by the old bastard: the childhood impressions, of the man he loved and hated so deeply, are so strong that he can't rid himself of them, all the terrible memories still constantly bubbling to the surface and determining Jean's life.
He knows all too well that the most terrible adult has always been his father, even in death.Among the traumas of Jean's adolescence was what happened with the first girl he was serious about, a relationship his father ruined in spectacular and memorable fashion. Jean has remained single, and obviously still has some lingering issues with women. A few months after his father's death he meets Thérèse Dubois -- the Cat Girl, as he originally thinks of her. She is only half his age, but a relationship of sorts develops; unfortunately, still haunted by the overpowering memories of his father, Jean is ... limited in how far things go. Since the Cat Girl is closer in age to his students, it's also no surprise that she eventually gets closer with at least one his students ..... Jean continues to be in crisis; his father remains a weight that he cannot lift off himself. Slowly, it continues to crush him -- until desperation leads him to overreach and turn to what seems the only way out; even here, he can't quite get it right, making for a particularly effective if very disturbing conclusion. Jean stands almost apart from so much in these odd times. He is confronted with the politics of extremes, but that too is not the escape he needs, neither that of the colleague who has a picture of "Gudrun Ensslin, the terrible mistress of Baader" (as in the Baader-Meinhof gang) -- and a pastor's daughter, whom the colleague taught for a semester -- in his locker, or that of another former teacher who proudly leads a "tiny Hitlerian group", who assures Jean that the Nazi cause will triumph in the end. Jean's issues are more fundamental -- and yet its symptomatic that he can't be part of the larger issues of the day either. Instead, he teaches his classics -- yes, Petronius and Apuleius, rather than just the Cicero and Virgil his students despise (as "lackeys of power"), but still just ancient literature in a dead language. The Tyrant is an impressive psychological study, Chessex's lyrical language appropriate in presenting Jean's frustrated anguish. Chessex is particularly good in the scenes of extremes, from the dying student, Isabelle, in his class, facing (and trying to stage-manage what she can of) her mortality to Jean falling apart in a café one day (and then the principal calling him into his office to discuss the breakdown). Set in the early 1970s, the contrast of the rigidity in which Jean was raised and the far more liberal environment he finds himself in, his students much more willing to challenge authority, is also very effective. - M.A.Orthofer, 4 July 2012 - Return to top of the page - The Tyrant:
- Return to top of the page - Swiss author Jacques Chessex was born in 1934 and died in 2009. - Return to top of the page -
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