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Our Assessment:
B+ : slightly overwhelming, but has its charms See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
The Unknown University collects a heap Roberto Bolaño's poetry, organized into a manuscript by Bolaño himself, apparently in 1993 (though he apparently also tinkered with it later, as also the inclusion of poems such as 'Portrait in May, 1994' suggests).
Admirably presented here in a bilingual edition, the Spanish originals facing Laura Healy's English versions, it makes for a weighty book of over 800 pages -- yet it's a surprisingly light and easy read too.
Much of the poetry here is the work of a young author, and there's a youthful exuberance to to it, even as he often struggles with difficult circumstances and uncertainty.
His work here is decidedly experimental, an author still figuring out what kind of author he wants to be, how and what he wants to write.
Few of the poems adhere to any strict form, and quite a few are prose-poems that pass more readily for stories than any sort of poem.
[...] and the people IThe idea comes from Alfred Bester's story, 'The Men Who Murdered Mohammed', where the main character is a "professor of Applied Compulsion" at Unknown University -- "a center of learning only in the Pickwickian sense". The protagonist is typical of those at UU: They were geniuses who paid a high price for their genius because the rest of their thinking was other-world. A genius is someone who travels to truth by an unexpected path.One can see -- especially in the various different attempts in this collection -- how Bolaño would be attracted to the notion; the fact that UU is essentially entirely a creation of the mind -- "Nobody knows where Unknown University is or what they teach there" -- helps too. Bolaño gives a parenthetical nod to Bester in one of the poems: (Dear Alfred Bester, at leastAnd another section ends more poignantly with this poem: This hope isn't something I've sought. This silent wing of the Unknown University.Many of the poems describe scenes from Bolaño's life, as a twenty- and thirty-something struggling to find his path, and struggling as a writer. There's the occasional self-pitying, young author's despair: Who the fuck cares what I write ?He deals with his relationships in many of the poems, characters (generally real, and including his son, Lautaro, to whom the collection is dedicated) repeatedly addressed or written about. At times his narrative pieces suggest a life of the simplest routine (from which, as he makes clear in many of the poems, he also tries to free himself, mainly through his writing), such as in the poem that begins: I brush my teeth, wash my face, arms, neck, ears. Every day I go down to the post office. Every day I masturbate. I devote a large part of the morning to cooking food for the rest of the day. I kill time sitting, flipping through magazines, I try, over repeated cups of coffee, to convince myself that I'm in love, but the lack of tenderness -- f a certain kind of tenderness -- suggests the contrary. Sometimes I think I'm living somewhere else.Writing doesn't always seem to be an answer -- "It makes no sense to write poetry" -- or, in part, closed off to him, as in his suggestion: I can't be a science fiction writer because my innocence is mostly goneThere's some arresting verse, too, especially in the more personal pieces, from the poem here titled 'The Romantic Dogs' (presented as 'Self Portrait at Twenty Years' in the collection, The Romantic Dogs) to pieces such as: Violence is like poetry, it doesn't correct itself.Overall it's an odd collection, a jumble of practice-pieces and more polished ones, grouped in a variety of different ways; surprisingly, it does, after a fashion, cohere. This isn't what one would expect in a 'collected works'-edition -- there are too many stray pieces that a rigorous editor would likely have cut -- and yet everything seems to belong, and even the not-quite-so-good-stuff fits in a volume that makes a decidedly greater impression as a whole than its parts. The Unknown University offers a fascinating glimpse of Bolaño -- worthwhile for the biographical insight alone (in lieu of the still-missing standard biography), as well as the outlines of much of his later fiction, prefigured here -- as well as good doses of much of what readers of his prose have come to expect. Amusing, fresh, often touching, this is rarely truly great poetry, but it is -- especially as a whole -- an engaging work. His was a fascinating writing-mind, and much of it is well-exposed here. - M.A.Orthofer, 1 August 2013 - Return to top of the page - The Unknown University:
- Return to top of the page - Chilean author Roberto Bolaño lived 1953 to 2003. - Return to top of the page -
© 2013-2021 the complete review
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