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Our Assessment:
A- : fascinating take on a bit of history (and more), a unique (if typical Braun) approach See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
Das unbesetzte Gebiet ('the unoccupied territory') focusses on an historical oddity from the end of World War II: at the end of the war an area of Germany called Schwarzenberg, compromising several towns and villages, went unoccupied, neither the Americans nor the Russians advancing into it.
Self-governed, it was, for a brief 42 days, an almost utopian ideal (if not idyll -- war-ravages had left their mark on both the population and the area).
Volker Braun sees it as a short-lived alternative, the possibility of true self-determination -- and a separation from the ideological Cold War alternatives quickly arising in East and West -- briefly raised.
Keine Gestalt und Begebenheit ist erfunden; Abweichungen von real existierenden Personen sind Zufall.This is a work of fiction, but perhaps it can more accurately be described as a work of anti-fiction (and opposition is what Braun has always been best at). (This final section also begins: "Ende der Geschichte" -- more than a mere: 'End of story' as Geschichte can mean both 'story' and 'history', and it is certainly an end of conventional history that he has presented here, a new world that Braun sees in what took place in Schwarzenberg.) The narrative itself is more or less straightforward, describing the various events: the uneasy transition, the uncertainty of what exactly to do with the Nazis (who controlled the local bureaucracy). It is documentary, short sections offering pictures of the quickly changing situation (including forays into the occupied territories to the east and west). Braun does not construct an idealised image of what might be (or might have been): the narrative remains surprisingly grounded. Potential is in the air -- a truly different sort of government --, but day-to-day reality is always more pressing, the little things that have to be dealt with. The first part of the book is almost anti-climactic, as Braun does not let his imagination or enthusiasm run away with the marvellous premise, six weeks of statelessness and complete self-control. (Reality, of course, means it was far less idyllic than a novelist would care to imagine it.) It is the second half of the book that really reveals and reinforces Braun's disappointment, the thwarting of a possible superior alternative felt to be truly crushing as he tells a variety of anecdotes, stories, and bits of history. The pieces are varied, some returning to Schwarzenberg, others contemporary -- ripped generally not from the headlines, but from the backpages: a boy who sells his soul on the Internet, an Austrian POW forgotten in Russia, returning home only after the collapse of the Soviet Union. It is a commentary on the failures of the state, in particular, since World War II -- the German Democratic Republic, for one, but also re-unified Germany, and the United States. Schwarzenberg was a path not taken, thwarted by greater powers; the paths that were taken have proven failures: that is certainly one reading of this book -- but Braun is rarely obvious in his presentation, allowing more to be seen and read into it. Where he stands is clear, but his attacks are multi-pronged, a barrage of pin-pricks from unexpected vantage points (the stories or chapters or episodes in the second part are hardly obviously connected). He keeps the reader guessing -- and working: it's not easy reading, but it is literally engaging. - Return to top of the page - Das unbesetzte Gebiet:
- Return to top of the page - (East) German poet and dramatist Volker Braun was born in 1939. He has won numerous literary prizes, including the Heinrich Mann Prize, and the Georg Büchner Prize. - Return to top of the page -
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