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Our Assessment:
B : fine if familiar Modianoesque pirouettes and ambience See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
In Ballerina Patrick Modiano turns yet again to his days of young adulthood, when he was still trying to find some hold and purpose.
He sums it up as: "the most uncertain period of my life" and once again, in present-day Paris -- now: "a city so changed that it no longer contained any memories for me" -- finds chapters and figures from this past catching up with him: "images began coming back to me, in snatches, from a long-distant period of my life".
I do believe that the example the ballerina set, without my fully realizing it, incited in me to gradually change my behavior and shed the uncertainty and nothingness that filled me.The novel opens with his memory of picking up her young son, Pierre, from school, and he describes frequently picking up or looking after the boy. In the present-day he admits that: I'd very much like to know what became of him. I did some research over the following years, but I didn't know his family name, he who had no family.As to the dancer herself, while he surely knew her name, he does not reveal it: her significance is in her identity as a dancer, not the individual. The fact that he does not reveal her name is striking in this novel where he identifies so many others -- many incidental figures -- by name, including quite a list of: "a few dancers from Studio Wacker, whose names I still recall". He also mentions her being a student of the real-life Boris Kniaseff (also: Knyazev); in this and other ways he positions her -- but still leaves out something as fundamental as her name. The narrator drifts around in typically Modianoesque fashion, encountering a wide variety of people -- many, of course, of at least slightly dubious character (as one admits: "How can I explain ? We belonged to a somewhat particular milieu"). Among them is Maurice Girodias, the "curious publisher" of the famous and notorious Olympia Press ("He had been publishing in Paris a series of English-language novels that were banned in the Anglo-Saxon countries"). Girodias enlists him to fix up -- including fill up, with some extra chapters and bits -- a novella by a Francis La Mure, The Glass is Falling. The narrator doesn't claim to have done much with it -- "I'd say it was really more of a copy edit" -- but still, there's a sense of accomplishment here, and it is work that required some discipline; as he notes at a later point regarding the endeavor: "I'm following the ballerina's example". If little more than a pebble, it was clearly also something of a stepping-stone for him. As to his relationship with her, even as it was clear that she: "evidently felt affection for me, I always wondered whether she took me seriously". He sees himself as clearly not in the same league as her, but finds a kind of guidance -- even if only, apparently, fleetingly (as he eventually at some point lost track of her). Ballerina is yet another slim Modiano novel where: Time, which has blurred faces, has also erased reference points. All that remains are a few puzzle pieces, forever disconnected.But he does, of course, connect some, threads that lead via different people and memories to a small but full and fairly rich picture, a past becoming (yet another) part of what he now sees as the: "eternal present". Even with these loose, few brushstrokes Modiano effectively contrasts, for example, contemporary Paris with that from this time he describes -- and, as always, he portrays this time of trying to find one's way and a purpose in life very well. It's all quite familiar Modiano territory (and exposition), better seen and taken as another piece of his larger project rather than slim stand-alone, but certainly a fine little work as such. - M.A.Orthofer, 12 January 2025 - Return to top of the page - Ballerina:
- Return to top of the page - French author Patrick Modiano was born in 1945. He was awarded the Nobel Prize in Literature in 2014. - Return to top of the page -
© 2025 the complete review
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