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Our Assessment:
B : decent if somewhat crowded detective novel See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
The Hotel of the Three Roses is set on a single December night in Milan in 1919.
Inspector Carlo De Vincenzi is still new to the job and city -- he's only been here for three months -- and one of the reasons he's sent to investigate what is initially reported as a suicide at the notorious Hotel of the Three Roses is because, as his chief notes, he doesn't have any: "relationships with any of these people" -- the notable types who frequent the establishment.
"What do you think is going on ?"This is the kind of novel where new facts are constantly being revealed, as De Vincenzi finds, for example: With each step he took in the investigation, he found unexpected connections between all these people when it seemed there shouldn't be any.The arrival of Englishman Mr.Flemington -- who happens to be: "one of the best-known lawyers in London" -- and his wife in the middle of all this further complicates matters -- though it also clears a lot up, once De Vincenzi actually gets around to eliciting from the solicitor what his business is here. However, since he initially leaves it up to the lawyer -- "You don't want to tell me anything else, Mr Flemington ?" De Vincenzi politely asks, rather than insisting on answers -- it takes a while for the truth to emerge. Not surprisingly, the lawyer, and several of the guests, have all come to this hotel for the reading of a will -- to find out who inherits a fortune. And, of course, there's a story to that fortune too, which explains why some of the potential heirs are being knocked off. Among the other creepy oddities: three dolls that three of the guests have brought with them. The case slowly gets clearer: The various people involved in the tragedy were beginning to assume clean outlines, to come to life in their contexts, illuminated by their pasts. But he still couldn't see it all clearly.Of course, eventually all the pieces of the rather elaborate story -- past and present -- fall into place, leading to the grand denouement (as De Vincenzi warns: "We're nearing the end, but the most dreadful thing is yet to come" ...). There are rather many guests (and hence suspects), and it takes a while to clear up all the identities and relationships -- even with the head-start De Vincenzi had -- making for a crowded mystery. The explanations, of what happened in the distant past and how that led to what happened on this night, make for a decent story, though certainly not one that a reader could untangle by themselves: De Angelis deliberately only reveals one important fact after another, not showing all his cards (as is appropriate in a novel where there is a lot of gambling going on, even as the investigation takes place) until the very end. The only really frustrating aspect to the actual detective-work is De Vincenzi's interviewing technique, as he questions many of those at the hotel, but lets them go without insisting they tell him everything, even when it's obvious to him that they are still keeping important information from him. (The lax policing, allowing for further murders, is also a bit disappointing.) De Angelis does better with atmosphere and character than actual mystery, and The Hotel of the Three Roses is mainly of interest and appeal for its presentation of the seedy hotel and the types it attracts. Somewhat overpopulated -- there are a lot of people there that night, and a lot of complex relationships -- the story is more elaborate and far-flung than De Angelis really seems up to, but otherwise it's a decent little mystery. - M.A.Orthofer, 27 May 2016 - Return to top of the page - The Hotel of the Three Roses:
- Return to top of the page - Italian author Augusto de Angelis lived 1888 to 1944. - Return to top of the page -
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